mist-o 成立于2010年，主創(chuàng)設(shè)計師來自東京Noa Ikeuchi與米蘭Tommaso Nani，工作室結(jié)合了歐洲與亞洲的設(shè)計構(gòu)思，從家具到小物件的設(shè)計 ，都考慮到室內(nèi)空間與工業(yè)設(shè)計之間的規(guī)模與把握。Noa Ikeuchi 和Tommaso雖然住在不同的國家，但是他們經(jīng)常相互旅行，去研發(fā)及探索新的項目。部分mist-o的產(chǎn)品設(shè)計已經(jīng)在Triennale 設(shè)計博物館, MOMA 設(shè)計店, Poldi Pezzoli 博物館以及上海雙年展展出。工作室已經(jīng)為一些知名的建筑公司開發(fā)了家具、產(chǎn)品、燈光以及建筑產(chǎn)品。比如Agusta Westland, Antolini, Be Open Foundation, Cappellini, Frag, Ichendorf, Living Divani, Oluce, Tod’s等等。
mist-o is a designers firm based in Tokyo and Milan, established in 2010 by Noa Ikeuchi from Japan and Tommaso Nani from Italy. The studio is a bridge across Europe and Asia and the work ranges from the design of furniture and small objects to spatial arrangements and from limited editions to industrial scale. Tommaso and Noa divide their lives between Japan and Italy and are continuously travelling between the two countries for development and research of new projects. Some of mist-o designs were exhibited at Triennale Design Museum, MOMA design store, Poldi Pezzoli Museum, Shanghai biennale. The studio has developed furniture, products, lighting and architecture for some of the leading companies in the design field. Among their renowned clients are Agusta Westland, Antolini, Be Open Foundation, Cappellini, Frag, Ichendorf, Living Divani, Oluce, Tod’s and others.
設(shè)計理念
mist-o希望通過世界共同的視覺意識去相互溝通，在不同的含義與符號中找到相關(guān)的東西。這是一個持續(xù)而混亂的進程，緩慢地發(fā)展成一個明確的新秩序。似乎在面對一團霧云，外部的觀察者要在其中移動，吸納霧團中獨立的小霧滴。因此，可以說設(shè)計師在研究了不同文化之間的聯(lián)系，在復(fù)雜中找出純粹的設(shè)計需求。
Our approach has the intention of communicating a vision of the world where things and relations arise from the union and meeting of different meanings and symbols. It is from this continuous chaotic dialogue that one slowly progresses towards a clear new order. It is like a fog bank that appears to an outside observer as a large united mass that moves and breathes as a whole but which basically is composed of an infinite quantity of single individual water drops.
We therefore present a study of things and relations with different cultures that is not superficial but which examines a common archetype, the pure essence of things.
兩位設(shè)計師Tommaso Nani與Noa Ikeuchi
Tommaso Nani來自意大利，出生在1983年的米蘭。并在米蘭的IED 的歐洲設(shè)計學(xué)院畢業(yè)。Noa Ikeuchi是日本人，出生在1983年東京。與Tommaso Nani是同一個學(xué)校畢業(yè)。
Tommaso Nani，
Nationality: Italian
Born: Milano, 1983
School: IED, European Institute of Design, Milano
Noa Ikeuchi
Nationality: Japanese
Born: Tokyo, 1983
School: IED, European Institute of Design, Milano
兩位設(shè)計師Tommaso Nani與Noa Ikeuchi
“我們的設(shè)計是發(fā)自內(nèi)心地為制造商提供獨樹一幟的產(chǎn)品，努力為他們創(chuàng)造最好的而實用的設(shè)計。mist-o的設(shè)計不趨向某種風(fēng)格，但在我們的生活背景中找出意大利與日本的混搭風(fēng)格。當看到我們的產(chǎn)品，它總是溫和而簡單的。我們嘗試將設(shè)計本質(zhì)重點放在理念上，消除多余的雜音，可以說我們的產(chǎn)品是溫柔的。”
“Our way to design is very spontaneous, trying to mix our taste with the manufacturer needs. Trying to create the best and usefull products for the company.There is not a style we want to create consciously, but the signature touch comes out naturally from our background; Italian and Japanese taste mixed together. When you look our products you can see always a sort of gentle simplicity, objects that never shout, that assert their existence while remaining clear, honest, never vulgar. We try to bring out the essence of an object, focusing on its main concept and eliminating the superfluous. I would say we do gentle products.”
